Mastering Decision Guide
When is stereo mastering the right choice?
Stereo mastering is the right choice when the mix already works and the record mainly needs final tone, loudness, translation, sequencing, and delivery confidence. Choose stereo mastering when the balance feels intentional and the main mix decisions are already made. If the vocal, kick, bass, or main musical elements still need separate control, compare stereo mastering with stem mastering before booking.
If the mix needs separate control, compare this with stem mastering and check the mastering checklist before booking.
Stereo Mastering
Mastering for records that are already close, but still not landing.
Use this when the mix is already working, but the record still is not holding together all the way. Stereo Mastering is the right path when the song needs finish, translation, and control, not surgery.
3-5 business daysTurnaround
2 includedRevisions
WAV deliveryFinal files
Who this is for
- Finished stereo mixes that already have the right core
- Tracks that feel right in the room but lose weight, edge, or balance outside it
- Artists and labels who want a final master without undoing the mix
How it works
- Fit is checked first. If the mix is not ready for Stereo Mastering, it should not be forced into it.
- The record is shaped for balance, translation, and final finish.
- You get back a final master plus approval files.
What you get
- Final stereo master
- 24-bit WAV master
- 16-bit WAV master
- Approval listen for signoff
- 2 included revisions on the same premaster
Before you book
- Send one clean stereo WAV or AIFF premaster
- Leave headroom. Avoid a limiter doing too much final work.
- Add one or two references only if they help explain direction.
If the track still needs real correction, move to Stem Mastering. If you are not sure which lane fits, use concierge intake for a manual fit check. Stereo Mastering works best when the core decisions are already in the mix.